My old college roommate and good friend just came out with a new EP. Check it out! It is a fun listen.
All of my solo albums are now licensed as cc-by (creative commons attribution). Previously I had my last two releases, ‘The Maddening Parade’ and ‘Sky Ship’, were cc-by-nc, which disallowed commercial use. Older releases were already cc-by. Please note that the non-solo work like Eighth Whale and Dusklight Trio are not part of creative commons and are covered by standard copyright.
Now there is no need for going through all the mental gymnastics required to figure out whether your use of the music is or isn’t commercial in nature.
I updated bandcamp, free music archive, and archive.org pages to show the updated licence. Enjoy!
Trevor and Allison, who I played with in Eighth Whale and Dusklight Trio, just released an album along with Mark Lyons as part of their new band The Long Hunt. And by “just released”, I mean “a month ago”. Jesse Spillane dot com is probably not your source of up to date news.
It’s a really cool album. They describe the release as follows:
The songs on Wilderness Tales are typically slower, sprawling, meditative, and sparse- a mood sometimes contrasted with the occasional outburst, dense arrangement, or driving repetition. The music sits comfortably in the experimental, psych and alternative rock categories while occasionally incorporating elements of desert, drone and post rock reminiscent of bands like Earth, Grails, and OM.
It’s certainly a departure from the Eighth Whale, which was consciously not minimal. Stream it below:
If you like it, throw them some money and buy it. I highly recommend it. If you are in the Pittsburgh area, which I no longer am (I defected to Cleveland), go see their show on April 1st at Cattivo
The free music archive is an awesome resource to find genre defying music gems for use within your projects or just for your listening enjoyment. The music on the site is mostly released under various kinds of creative commons licenses, making them great choices for use in media such as video. They very kindly host my solo music and help bring it to the attention of people all over the world. Consider donating to the website if you make use of their generous archive. See the embedded widget below, or visit here:
Last time I updated this site was about four months ago. It has been a while. Sorry!
When Eighth Whale was still a thing, DJ and I used to play 30 second long ragtime-like songs to fill the awkward gaps when Trevor and Allison were tuning.
The following was taken from Eighth Whale’s last show at Howlers (Dec 2012?) when we played as part of tribute band night. We played instrumental versions of Pink Floyd songs which was a fun change of pace since we had exclusively done originals before. We wanted to do songs by The Mahavishnu Orchestra as they were a big influence in our sound, but we were told that might be too obscure by the organizer. Fair enough. Our next choice was King Crimson, but another band was already doing that (they played the entire Red album). This video is obviously not a Pink Floyd song. It is one of the 30 second filler tuning songs.
Being that I play a digital piano, I’m lucky to not have to worry about tuning. Except with my piano, that isn’t true.
One time, when Eighth Whale was practicing, Trevor and Allison were tuning and despite their best efforts with the guidance of electric tuning pedals, something sounded off. After a while, we figured out that my piano was out of tune. Trevor demonstrated with an app on his phone that without a doubt, the culprit was my instrument.
We were baffled at how this could have happened. After practice, I found my keyboard’s manual and looked at what options were for tuning the instrument.
It turns out, that the my keyboard (yamaha cp 33) has multiple ways to adjust the tuning slightly. One way is through some difficult to get to function menu. For convenience (???), they also allow you to fine tune the instrument using nothing but the keys on the piano.
I imagine someone at Yamaha thought that no one in their right mind would play such a goofy key combination as to accidentally tune their piano up or down. I am not in my right mind.
In Eighth Whale, I did a lot of playing where I would hit a cluster of notes very low on the keyboard or slide upwards while holding the sustain pedal to give a big dramatic loud open sound. At I similar time, I may also have played more directed meaningful notes somewhere towards middle C.
I doubt anyone at Yamaha reads this blog, but I want to say that making a piano key-only shortcut for changing a setting is a really bad idea. Hide that stuff in sub-menus, please.
I have since put masking tape on the bottom of my keyboard with written instructions in marker, explaining the key combinations needed to reset the tuning to the default in case I forget.
What a weird feature.